Filmmaker James Cameron has publicly addressed a joke made by Amy Poehler in the course of the 2013 Golden Globe Awards, greater than a decade after the second, describing it as an “ignorant dig” that “went too far” for an occasion meant to have a good time cinema.
The joke occurred in the course of the opening monologue, when Poehler, co-hosting alongside Tina Fey, made a pointed quip about Cameron’s ex-wife, director Kathryn Bigelow. On the time, Bigelow was nominated for Greatest Director for her movie Zero Darkish Thirty. Poehler quipped, “In relation to torture, I belief the girl who spent three years married to James Cameron.”
Cameron, who was not current on the ceremony, mirrored on the road in a current interview, saying, “Amy Poehler’s comment was an ignorant dig, at an occasion which is meant to be a celebration of cinema and filmmakers, not a roast.” He added, “I am fairly thick?skinned, and glad to be the butt of a very good?natured joke, however that went too far.”
The director additionally addressed the viewers’s response on the time, suggesting the laughter revealed misperceptions about him: “The truth that individuals discovered it humorous reveals precisely what they consider me, though they don’t know who I’m or how I work.”
Cameron and Bigelow’s relationship was briefly a part of Hollywood historical past, as they had been married from 1989 to 1991 and later confronted off within the awards season in 2010.
At that 12 months’s Oscars, Bigelow received Greatest Director for The Damage Locker whereas Cameron’s Avatar was additionally nominated. Cameron famous that he was “the primary one on my ft applauding” when Bigelow received, and that each discovered the media narrative round them initially amusing, although it later turned irritating.
Whereas the joke generated shocked reactions from these watching – together with forged members current that night time – Cameron’s feedback underscore how a single quip at a significant awards present can resonate years later, particularly when it touches on a filmmaker’s private life {and professional} popularity.
