‘Meri Eidi Tere Hawale’ guarantees raucous household leisure in Karachi on Eidul Fitr
KARACHI:
Karachi’s theatre scene is about to come back alive this Eid-ul-Fitr as seasoned performers Rauf Lala and Shakeel Siddiqui take centre stage in a brand new comedy play, Meri Eidi Tere Hawale.
Talking to The Specific Tribune, comic Shakeel Siddiqui mentioned the play carries each humour and a deeper message. “The thought behind the title is that all the things, together with Eid, is in God’s arms. This can be a new expertise for us we’ve got by no means explored this topic in theatre earlier than. It is delicate, however rooted in reality,” he mentioned.
He added that audiences can count on a full dose of leisure. “Individuals will snort for 2 and a half hours, however they may also take one thing significant with them,” Siddiqui famous.
The play, written by UK-based Sabdar Haider, contains a sturdy ensemble solid together with Rauf Lala, Aamir Rambo, and Shabbir Bhatti, amongst others.
Rauf Lala emphasised the family-friendly nature of the manufacturing. “We proceed the custom of presenting clear, family-oriented theatre on Eid. There isn’t any vulgarity , for this reason individuals love our work,” he mentioned. Reflecting on Karachi’s resilience, he added, “Irrespective of the circumstances, individuals right here all the time come out for leisure. I salute the spirit of Karachiites.”
Director Younus Memon mentioned the play will likely be staged at an open-air theatre with two every day reveals through the three days of Eid. “It’s a situational comedyas a result of with out scenario, theatre feels incomplete,” he defined.
In line with Memon, the story revolves round a family stuffed with numerous personalities, relationships, and conflicts, mixing humour with social commentary. “It is finally a household story with a message, wrapped in leisure,” he mentioned.
With its mixture of veteran performers, new faces, and a promise of laughter, Meri Eid Tere Hawale goals to be certainly one of Karachi’s key theatrical sights this festive season.
It continued with impactful performances. Kuwait’s LAPA Dance Firm introduced a strong up to date dance piece titled “The place Phrases Die”, devoted to the reminiscence of Palestinian journalists martyred in Gaza. The efficiency was choreographed by Dr Tina, with dancers Rawan Sameer Salamah (Palestine), Christine Nikitha, Chathura Navodya (Sri Lanka), Bader Mustafa Dalal Abdullah (Kuwait), and Fatemeh Neghdar (Iran).
By expressive motion, the performers highlighted the grave crime of focusing on journalists in Gaza, the place greater than 200 media staff have been killed for exposing the reality. The efficiency touched themes of battle, injustice, and the horrors of battle, incomes a standing ovation from the viewers. Addressing the viewers, Arts Council President Muhammad Ahmed Shah praised the efficiency, saying LAPA had introduced a exceptional narrative.
He acknowledged Fareah Al Saqqaf and her crew for uniting artists from numerous nations and selling the humanities globally. He added, “The youngsters of our group are the id of Lyari. The best society we envision is mirrored right here by means of the World Tradition Pageant.” LAPA Dance Firm’s head, Fareah Al Saqqaf, expressed gratitude for the love obtained in Pakistan and mentioned she was honored to current the story of Palestinian journalists by means of artwork. Earlier within the day, the competition opened with a High quality Artwork Workshop carried out by Iranian artist M. Reza Ferdowsi Fard, who delivered a particular lecture on the basics of Islamic calligraphy.
He emphasised that “the purity of script comes from the purity of the center,” explaining that the artwork of calligraphy begins with the dot beneath the letter “?”, the symbolic essence of “Bismillah.”He famous that the primary letter in calligraphy is all the time “?,” equivalent to the primary letter within the identify of Allah. The competition additionally screened the Pakistani movie “Na Maloom Afraad”, directed by Nabeel Qureshi and written by Fizza Ali Meerza.
Set in Karachi, the darkish comedy displays town’s chaos, financial pressures, and social disparities. It follows three abnormal males whose determined struggles result in unintentional and humorous misadventures. Karachi’s strikes, unrest, and unpredictability develop into the movie’s symbolic “fourth character.”
